Many years later, this essay is the result. It analyses the art as a form of agricultural ideology that, I argue, inhibits much needed labor reforms by either obscuring the role of California’s vast Latinx agricultural labor force or, alternately, depicting them as content in their work.
Although I have long incorporated my own photography into my research, this was my first time analyzing visual culture created by others. It is a line of work I intend to continue developing.
It was also a pleasure to return to Boom, which published my photo essay with Julie Sze, “Images from the Central Valley,” in their inaugural edition in 2011. Boom tries to thread the needle of doing public-facing scholarship that still “counts” in the evaluations that faculty undergo within their institutions by creating a free, online, magazine-like publication that still puts its manuscripts through peer review. It is a model I wish more publishers would adopt.